Band & Crew View all

Current Live Touring Band

Joe Satriani - Guitar
Bryan Beller - Bass
Joe Travers - Drums
Mike Keneally - Guitar/Keyboards

Current Live Touring Crew

Alastair Watson - Production Manager/Lighting designer
Jarett Kemp - Production Coordinator
Michael "Ace" Baker - FOH Engineer
Mike Manning - Guitar Tech / Zen Master
Jose Baraquio - Drum Tech
Mike Babcock - Monitor Engineer
David Fosbinder - Stage Left Guitar & Bass Tech


Mick Brigden - Management
Wayne Forte (Entourage Talent) - Booking Agency
Jon Luini / Chime Interactive - Digital Strategy
Melissa Dragich-Cordero (MAD Ink, PR) - Publicity

Joe Satriani - “Just The Facts”

Joe Satriani is the world’s most commercially successful solo guitar performer, with six gold and platinum discs to his credit (including one more gold award for the debut album by his band Chickenfoot), and sales in excess of 10 million copies. His 16th studio album, "What Happens Next" (Jan 12, 2018), picked up rave reviews as yet another creative breakthrough – this for a guitarist who has routinely topped guitar magazine polls since the release of his first full-length album, "Not Of This Earth", in 1986.

Since September 18, 1970 (the day his idol Jimi Hendrix passed away), Satriani has dedicated himself to the artistry of the instrument. While still a teenager in his hometown of Westbury, New York, he taught guitar to another budding six-string hopeful, Steve Vai. A few years later, Satriani moved to San Francisco and played guitar in a popular new wave band, The Squares, and briefly joined The Greg Kihn Band before the release of "Not Of This Earth".

Satriani’s reputation was already growing in guitar circles – along with Vai, some of his other students were Metallica’s Kirk Hammett and Testament’s Alex Skolnick – but in 1987, he broke through to the masses with his second studio full-length, "Surfing With The Alien", a massive seller (it hit No. 29 on the Billboard 200) that included the radio hits “Satch Boogie” and the title track. The success of that album caught the attention of Mick Jagger, who asked Satriani to be his lead guitarist on his first-ever solo tour, in 1988.

As a live performer, Satriani has toured the world with each new release (his last concert tour for 2013’s "Unstoppable Momentum" saw the guitarist touch down in 32 countries). In 1993, he joined Deep Purple as a temporary replacement for Ritchie Blackmore during a Japanese tour. In 1996, Satriani founded the multi-guitarist traveling experience called G3, which has seen him share stages with Vai, Eric Johnson, Yngwie Malmsteen, Robert Fripp, among others. And starting in 2009, Satriani traversed the globe again as a member of Chickenfoot. The all-star band (which also includes singer Sammy Hagar, former Van Halen bassist Michael Anthony and Red Hot Chili Peppers drummer Chad Smith) has issued two albums, their debut and 2011’s follow-up, "Chickenfoot III".

Satriani’s solo discography includes a host of classics, including 1989’s "Flying In A Blue Dream", "The Extremist" from 1992, "Is There Love In Space?" (2004) and 2010’s "Black Swans And Wormhole Wizards". His 15 Grammy nominations have been for songs such as “Always With Me, Always With You,” “The Crush Of Love,” and “Summer Song,” as well as full albums like "Surfing With The Alien", "The Extremist" and "Super Colossal".

Satriani has appeared in motion pictures such as Christopher Guest’s 2006 release, "For Your Consideration", and the 2011 Brad Pitt starrer, "Moneyball". Through the years, he has designed and endorsed guitars, amplifiers and effects pedals for Ibanez, Marshall and Vox. His JS Series of guitars through Ibanez has been one of the company’s most popular and consistent sellers.

Current Album: What Happens Next

Ladies and Gentlemen, Meet Joe Satriani. On What Happens Next, the legendary guitarist reveals a new persona: himself.

As fans know, Satriani hinted at the demise of his alter ego in 2015’s Shockwave Supernova album after that character threatened to battle Satriani for his very soul.

As Satriani hit the road in support of the album, he discovered Shockwave Supernova, the latest in a long line of alien personas Satriani had created, was truly suffocating him—a process captured in a new documentary directed by Satriani’s son ZZ, which debuted at the Mill Valley Film Festival. “As I was doing the last few legs of the tour, I started to think ‘Wow, maybe this is real life.’ I am feeling like I should just drop this guy and figure out a way to do something very different.”

What happened next was nothing short of a metamorphosis. “It was an internal artistic rebirth,” Satriani says. “I’m thinking, ‘No science fiction, no time travel, no songs about distant planets or aliens or anything like that.”

Instead, Satriani looked inward, writing songs, he says, “about a human being, two feet on the ground, heart pumping, with emotions, dreams, and hopes. That seemed to be the direction I really was yearning for.”

The stunning result is What Happens Next, the most accessible, straight forward rock album that Satriani has ever made. The set pulses with a vibrant energy from the dynamic opening track “Energy” to the stomp of “Catbot,” majestic crunch of “Thunder High On The Mountain,” spiritual grace of “Righteous” and sensuality of “Smooth Soul.”

There’s a vulnerability to shedding the protective veneer that personas such as Shockwave Supernova provided. “It’s a frightening feeling to walk out on that artistic limb where you’re not relying on any kind of formula,” Satriani says. “You’re brave enough to simply write about bare feelings. When I step back and look at all the new songs, I realize they represent a person living and breathing in the world today.”

If Satriani was going to “drop everything and go into something brand new,” he needed to surround himself with co-conspirators whom he knew could fulfill his vision, so he turned to Red Hot Chili Peppers’ drummer Chad Smith—also his bandmate in Chickenfoot, Deep Purple bassist and longtime friend Glenn Hughes, and producer Mike Fraser.

Utilizing a trio instead of a full band, Satriani hoped to replicate the energy he found working with Chickenfoot on their first album. “It was basically three musicians and Sammy [Hagar] screaming on top of us, and there was none of that waiting to see what the other guy plays so much as we were just all going at the same time,” he says. “We were just attacking it with so much fun and energy. It’s a unique quality that makes the listener feel like there was something bigger than the sum of their parts and I wanted to make sure that we captured that.”

Satriani, reached out to Smith, relaying, “‘I’ve got this crazy idea—rock n’ roll record, fresh, immediate, lively. You, Glenn Hughes on bass and me’,” Satriani recalls. “I was expecting him to tell me to go take a walk, but he signed on immediately.” So did Hughes.

After sending Smith and Hughes the songs, Satriani laid down a few ground rules, which boiled down to Keep It Simple. “I said to Chad in an early text, ‘No odd time signatures, no progressive stuff, pure rock and soul.’ The last two records really showed that I was enjoying playing with progressive elements, and when I reached the end of Shockwave Supernova, I said, ‘I think I’ve done it. For some reason, I don’t feel like going back over that anymore’.”

Once in the studio—they recorded in San Francisco and Los Angeles— Satriani wanted space for the threesome to nimbly shift as they found their groove. “I said, ‘If you got an idea, just start doing it, and we’ll react as a trio,’ and that was the idea— to record us reacting off of each other, and try to create that magic sound that a three-piece can make.”

His advice to Fraser was equally direct. “His job was to not let any of us work this to death. That way, Chad, Glenn and I could just go out and be musicians, which means being like teenage kids making lots of noise. Then you have the father figure in the control room making sure he captures it all.”

Growing up on Long Island, N.Y., Satriani turned to the guitar only after first attempting to play drums and piano and failing miserably. “I spent hours sitting right next to my mother as she played piano, and I marveled at her ability to play rhythm and melody independently and be able to read sheet music. It’s just something I never had,” he says.

But then, the guitar came along. “I was like, ‘Oh, look at this. I actually can progress,” he remembers. “In two days, I’ve learned these chords, and it’s not as awkward as the piano, and certainly not as awkward as the drums.’ I started on the guitar because I was such a Hendrix fan, but I got to day two because I noticed that it was the instrument that presented the least amount of resistance. Although I constantly feel like I’m not really cut out to be a guitar player and certainly not a performer in the music industry, here I am. Once it got in my hands, I said, “I’m never letting go of this guitar because this is my ticket to expression,’ you know?”

What a ticket it’s been. Satriani has earned six gold and platinum discs over his 30-year career, selling more than 10 million albums and garnering 15 Grammy nominations.

And he’s far from finished. With What Happens Next, Satriani asks his fans to join him in a new chapter. “I think the ultimate goal of human experience is for us to become closer,” he says. “It’s fun to write about science fiction and things like that, but it’s a little bit more difficult to get closer to people by writing about something that’s so abstract. So I focused on rock and soul as a way to recognize our shared experiences, our wishes, our dreams, our hopes and fears. This record is an invitation to get closer. That’s really what it is.”